I was privileged that I could go to one of these free workshops, my second even. In a group of five people we went to work with one of the teachers of the Filmschool Amsterdam. First came a couple of notes on the theory of storytelling, especially when talking about film.
The hierarchy of scripts
I didn’t even know this, but you have a hierarchy in the writings in film. They have to be written before you start everything else.
- Logline: this is the summary of the story in 1 to 3 sentences
- synopsis: this is the sumary of te story in 1/2 to 4 pages
- (mini) treatment: Summary which is 6 to 10 pages or 10 to 20 pages.
- The scenario: this is a description of the whole movie where is described in detail what can be seen or heard within the movie and what kind of shot it is.
Three Acts Paradigm and some other notes
After this we talked about the Three Acts Paradigm, which I already talked about in another workshop I did, read it here. The main characteristic that every protagonist in a movie has is that this is someone that wants something very deeply but has trouble to achieve that. You can have two variations of this. You can have an active person in a passive world or a passive person in an active world.
We watched the following video she recommended to watch especially since it was a subject I was working on
This was a fun workshop to do. Especially the part where we had to write our own piece of scenario. It since I had a couple of classes of this at the Saxion University I knew what to use in the way you describe a situation. The only thing I had a little trouble with was building up and playing with the tension within the scene. Although I learned a lot during this workshop I could not yet consciously apply the things that I had learned, because every movie that was made was almost without any form of preparation, so also no synopsis or script.